Post-Impressionism
Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.
First room, north wall

Pleasures of Brittany (Joies de Bretagne)Paul Gauguin, 1889Courtesy National Gallery of Art, Washington 
Arlésiennes (Mistral)Paul Gauguin, 1888Courtesy of the Art Institute of Chicago 
Bather With Outstretched Arms (recto); Study of a Tree (verso)Paul Cézanne, 1874/77Courtesy of the Art Institute of Chicago 
The Basket of ApplesPaul Cézanne, c. 1893Courtesy of the Art Institute of Chicago
First room, south wall

BathersPaul Cézanne, 1890–1900Courtesy of the Art Institute of Chicago 
Tahitian Faces (Frontal View and Profiles)Paul Gauguin, ca. 1899Courtesy of The Metropolitan Museum of Art 
At the Circus: The Bareback Rider (Au Cirque: Écuyère)Henri de Toulouse-Lautrec, 1888Courtesy of the Art Institute of Chicago 
In My Dream I Saw in the Sky a Face of MysteryOdilon Redon, 1885Courtesy of the Cleveland Museum of Art
Second room, south wall

Study for "A Sunday on La Grande Jatte"Georges Seurat, 1884Courtesy of The Metropolitan Museum of Art 
Moulin de la GaletteHenri de Toulouse-Lautrec, 1889Courtesy of the Art Institute of Chicago 
Wheat Field with CypressesVincent van Gogh, 1889Courtesy of The Metropolitan Museum of Art
Second room, north wall

Aman-Jean (Portrait of Edmond François Aman-Jean)Georges Seurat, 1882–83Courtesy of The Metropolitan Museum of Art 
At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol)Henri de Toulouse-Lautrec, 1899Courtesy of The Metropolitan Museum of Art 
Still Life with Apples and a Pot of PrimrosesPaul Cézanne, ca. 1890Courtesy of The Metropolitan Museum of Art
Third room, north wall

Madame Roulin Rocking the Cradle (La berceuse)Vincent van Gogh, 1889Courtesy of the Art Institute of Chicago 
Two Poplars in the Alpilles near Saint-RémyVincent van Gogh, 1889Courtesy of the Cleveland Museum of Art