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Post-Impressionism

Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.

62 works · hang 7036 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

First room, north wall

  1. Study for "A Sunday on La Grande Jatte", by Georges Seurat, 1884
    Study for "A Sunday on La Grande Jatte"Georges Seurat, 1884Courtesy of The Metropolitan Museum of Art
  2. Symbolic Head, by Odilon Redon, c. 1890
    Symbolic HeadOdilon Redon, c. 1890Courtesy of the Cleveland Museum of Art
  3. Landscape with Wheelbarrow, by Vincent van Gogh, 1883
    Landscape with WheelbarrowVincent van Gogh, 1883Courtesy of the Cleveland Museum of Art
  4. Corridor in the Asylum, by Vincent van Gogh, September 1889
    Corridor in the AsylumVincent van Gogh, September 1889Courtesy of The Metropolitan Museum of Art

First room, south wall

  1. A work made of reed pen and iron-gall ink on tan laid paper.
    Avenue of Pollard Birches and PoplarsVincent van Gogh, March 1884Courtesy of the Art Institute of Chicago
  2. Self-Portrait with a Straw Hat (obverse: The Potato Peeler), by Vincent van Gogh, 1887
    Self-Portrait with a Straw Hat (obverse: The Potato Peeler)Vincent van Gogh, 1887Courtesy of The Metropolitan Museum of Art
  3. Painting of a performance inside a circus ring. A man wearing a suit holds a whip in his hand and looks towards a woman with red hair riding a gray horse and wearing a green dress. Audience members wearing suits and top hats watch from red and white benches on the side.
    Equestrienne (At the Cirque Fernando)Henri de Toulouse-Lautrec, 1887–88Courtesy of the Art Institute of Chicago

Second room, south wall

  1. A work made of color lithograph on ivory laid paper.
    BathersPaul Cézanne, 1890–1900Courtesy of the Art Institute of Chicago
  2. The Large Plane Trees (Road Menders at Saint-Rémy), by Vincent van Gogh, 1889
    The Large Plane Trees (Road Menders at Saint-Rémy)Vincent van Gogh, 1889Courtesy of the Cleveland Museum of Art
  3. Lush tall grasses with small white flowers foreground a grove of bushy trees of varying types and heights, their leaves ranging from deep green to golden. Beneath a dense and heavy yellow sky, a small blue triangle suggesting a mountain peak crests above the treeline at far left.
    The Poet's GardenVincent van Gogh, 1888Courtesy of the Art Institute of Chicago

Second room, north wall

  1. Pastel drawing of two figures in a sailboat, bright multi-colored clouds.
    Flower CloudsOdilon Redon, c. 1903Courtesy of the Art Institute of Chicago
  2. A work made of reed pen and black-brown ink, with black chalk on off-white wove paper.
    Weeping TreeVincent van Gogh, 1889Courtesy of the Art Institute of Chicago
  3. Painting of four women with blue shawls walking near red fence.
    Arlésiennes (Mistral)Paul Gauguin, 1888Courtesy of the Art Institute of Chicago

Third room, north wall

  1. Monsieur Boileau at the Café, by Henri de Toulouse-Lautrec, 1893
    Monsieur Boileau at the CaféHenri de Toulouse-Lautrec, 1893Courtesy of the Cleveland Museum of Art
  2. A scene in brown and green tones of people dancing indoors. In the foreground, three women stand near boothed tables while a man sits.
    Moulin de la GaletteHenri de Toulouse-Lautrec, 1889Courtesy of the Art Institute of Chicago
  3. Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress, by Paul Cézanne, 1888–90
    Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red DressPaul Cézanne, 1888–90Courtesy of The Metropolitan Museum of Art