Post-Impressionism
Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.
First room, north wall

The Englishman (William Tom Warrener, 1861–1934) at the Moulin RougeHenri de Toulouse-Lautrec, 1892Courtesy of The Metropolitan Museum of Art 
Corridor in the AsylumVincent van Gogh, September 1889Courtesy of The Metropolitan Museum of Art 
Two Poplars in the Alpilles near Saint-RémyVincent van Gogh, 1889Courtesy of the Cleveland Museum of Art 
ArmorOdilon Redon, 1891Courtesy of The Metropolitan Museum of Art
First room, south wall

Self-PortraitVincent van Gogh, 1887Courtesy of the Art Institute of Chicago 
Study for "A Sunday on La Grande Jatte"Georges Seurat, 1884Courtesy of The Metropolitan Museum of Art 
At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol)Henri de Toulouse-Lautrec, 1899Courtesy of The Metropolitan Museum of Art 
Ia Orana Maria (Hail Mary)Paul Gauguin, 1891Courtesy of The Metropolitan Museum of Art
Second room, south wall

Still Life with Apples and a Pot of PrimrosesPaul Cézanne, ca. 1890Courtesy of The Metropolitan Museum of Art 
The Card PlayersPaul Cézanne, 1890–92Courtesy of The Metropolitan Museum of Art 
Still-Life with a Watermelon and PomegranatesPaul Cézanne, 1900–1906Courtesy of The Metropolitan Museum of Art
Second room, north wall

A Sunday on La Grande Jatte — 1884Georges Seurat, 1884–86, border added 1888–89Courtesy of the Art Institute of Chicago 
Flower CloudsOdilon Redon, c. 1903Courtesy of the Art Institute of Chicago
Third room, north wall

Landscape with WheelbarrowVincent van Gogh, 1883Courtesy of the Cleveland Museum of Art 
Trees (study for La Grande Jatte)Georges Seurat, 1884Courtesy of the Art Institute of Chicago 
Tahitian Faces (Frontal View and Profiles)Paul Gauguin, ca. 1899Courtesy of The Metropolitan Museum of Art