Post-Impressionism
Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.
First room, north wall

At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol)Henri de Toulouse-Lautrec, 1899Courtesy of The Metropolitan Museum of Art 
Wheat Field with CypressesVincent van Gogh, 1889Courtesy of The Metropolitan Museum of Art 
Nursemaids’ Promenade, Frieze of CarriagesPierre Bonnard, 1895Courtesy of the Cleveland Museum of Art
First room, south wall

The Vase of TulipsPaul Cézanne, c. 1890Courtesy of the Art Institute of Chicago 
Weeping TreeVincent van Gogh, 1889Courtesy of the Art Institute of Chicago 
Mount Sainte-VictoirePaul Cézanne, c. 1904Courtesy of the Cleveland Museum of Art 
Head of a Tahitian WomanPaul Gauguin, 1891Courtesy of the Cleveland Museum of Art
Second room, south wall

Study for "A Sunday on La Grande Jatte"Georges Seurat, 1884Courtesy of The Metropolitan Museum of Art 
At the Circus: The Bareback Rider (Au Cirque: Écuyère)Henri de Toulouse-Lautrec, 1888Courtesy of the Art Institute of Chicago 
The Englishman (William Tom Warrener, 1861–1934) at the Moulin RougeHenri de Toulouse-Lautrec, 1892Courtesy of The Metropolitan Museum of Art
Second room, north wall

Woman with a CatPaul Gauguin, c. 1900Courtesy of the Art Institute of Chicago 
Two Poplars in the Alpilles near Saint-RémyVincent van Gogh, 1889Courtesy of the Cleveland Museum of Art 
Flower CloudsOdilon Redon, c. 1903Courtesy of the Art Institute of Chicago 
Still-Life with a Watermelon and PomegranatesPaul Cézanne, 1900–1906Courtesy of The Metropolitan Museum of Art
Third room, north wall

Brünnhilde in Twilight of the GodsOdilon Redon, 1894Courtesy of the Cleveland Museum of Art 
Hercules RestingPaul Cézanne, 1897Courtesy of the Art Institute of Chicago