Realism
Ordinary people and working lives, painted as they were, from the 1840s on.
First room, north wall

The Champion Single Sculls (Max Schmitt in a Single Scull)Thomas Eakins, 1871Courtesy of The Metropolitan Museum of Art 
Reapers Resting in a Wheat FieldJohn Singer Sargent, 1885Courtesy of The Metropolitan Museum of Art
First room, south wall

Dance in a Subterranean Roundhouse at Clear Lake, CaliforniaJules Tavernier, 1878Courtesy of The Metropolitan Museum of Art 
The PleiadesElihu Vedder, 1885Courtesy of The Metropolitan Museum of Art
Second room, south wall

Young Husband: First MarketingLilly Martin Spencer, 1854Courtesy of The Metropolitan Museum of Art 
Rookwood PotteryGeorge Gibson, 1886Courtesy of Cooper Hewitt, Smithsonian Design Museum 
The Veteran in a New FieldWinslow Homer, 1865Courtesy of The Metropolitan Museum of Art 
Pink Note–Shelling PeasJames McNeill Whistler, 1882-1884Courtesy of the National Museum of Asian Art, Smithsonian Institution
Second room, north wall

Talking It OverEnoch Wood Perry, 1872Courtesy of The Metropolitan Museum of Art 
Madame X (Virginie Amélie Avegno Gautreau)John Singer Sargent, 1883–84Courtesy of The Metropolitan Museum of Art 
Variations in Violet and Grey—Market Place, DieppeJames McNeill Whistler, 1885Courtesy of The Metropolitan Museum of Art
Third room, north wall

Autumn OaksGeorge Inness, ca. 1878Courtesy of The Metropolitan Museum of Art 
At the SeasideWilliam Merritt Chase, ca. 1892Courtesy of The Metropolitan Museum of Art
Third room, south wall

Washington Crossing the DelawareEmanuel Leutze, 1851Courtesy of The Metropolitan Museum of Art 
SunriseGeorge Inness, 1887Courtesy of The Metropolitan Museum of Art 
An Orange Note: Sweet ShopJames McNeill Whistler, 1883 or 1884Courtesy of the National Museum of Asian Art, Smithsonian Institution