Floor plan

Style galleriesRealism

Realism

Stage Fort across Gloucester Harbor, by Fitz Henry Lane, 1862
Wild Roses and Irises, by John La Farge, 1887
The Pleiades, by Elihu Vedder, 1885
Dance in a Subterranean Roundhouse at Clear Lake, California, by Jules Tavernier, 1878
John Quincy Adams Ward, by Henry Augustus Loop, 1863
Arrangement in Flesh Colour and Black: Portrait of Theodore Duret, by James McNeill Whistler, 1883

The works in this room are listed below.

Works in this room

Ordinary people and working lives, painted as they were, from the 1840s on.

First room, north wall

  1. Stage Fort across Gloucester Harbor, by Fitz Henry Lane, 1862
    Stage Fort across Gloucester HarborFitz Henry Lane, 1862Courtesy of The Metropolitan Museum of Art
  2. Wild Roses and Irises, by John La Farge, 1887
    Wild Roses and IrisesJohn La Farge, 1887Courtesy of The Metropolitan Museum of Art
  3. The Pleiades, by Elihu Vedder, 1885
    The PleiadesElihu Vedder, 1885Courtesy of The Metropolitan Museum of Art

First room, south wall

  1. Dance in a Subterranean Roundhouse at Clear Lake, California, by Jules Tavernier, 1878
    Dance in a Subterranean Roundhouse at Clear Lake, CaliforniaJules Tavernier, 1878Courtesy of The Metropolitan Museum of Art
  2. John Quincy Adams Ward, by Henry Augustus Loop, 1863
    John Quincy Adams WardHenry Augustus Loop, 1863Courtesy of The Metropolitan Museum of Art
  3. Arrangement in Flesh Colour and Black: Portrait of Theodore Duret, by James McNeill Whistler, 1883
    Arrangement in Flesh Colour and Black: Portrait of Theodore DuretJames McNeill Whistler, 1883Courtesy of The Metropolitan Museum of Art

Second room, south wall

  1. Newburyport Meadows, by Martin Johnson Heade, ca. 1876–81
    Newburyport MeadowsMartin Johnson Heade, ca. 1876–81Courtesy of The Metropolitan Museum of Art
  2. The Dancing Lesson, by Thomas Eakins, 1878
    The Dancing LessonThomas Eakins, 1878Courtesy of The Metropolitan Museum of Art
  3. Untitled (Cracked Watermelon), by Charles Ethan Porter, ca. 1890
    Untitled (Cracked Watermelon)Charles Ethan Porter, ca. 1890Courtesy of The Metropolitan Museum of Art

Second room, north wall

  1. Still Life—Violin and Music, by William Michael Harnett, 1888
    Still Life—Violin and MusicWilliam Michael Harnett, 1888Courtesy of The Metropolitan Museum of Art
  2. The Champion Single Sculls (Max Schmitt in a Single Scull), by Thomas Eakins, 1871
    The Champion Single Sculls (Max Schmitt in a Single Scull)Thomas Eakins, 1871Courtesy of The Metropolitan Museum of Art
  3. Variations in Violet and Grey—Market Place, Dieppe, by James McNeill Whistler, 1885
    Variations in Violet and Grey—Market Place, DieppeJames McNeill Whistler, 1885Courtesy of The Metropolitan Museum of Art

Third room, north wall

  1. Madame X (Virginie Amélie Avegno Gautreau), by John Singer Sargent, 1883–84
    Madame X (Virginie Amélie Avegno Gautreau)John Singer Sargent, 1883–84Courtesy of The Metropolitan Museum of Art
  2. Garden View, Brooklyn, by Fidelia Bridges, ca. 1867
    Garden View, BrooklynFidelia Bridges, ca. 1867Courtesy of The Metropolitan Museum of Art

Third room, south wall

  1. Reapers Resting in a Wheat Field, by John Singer Sargent, 1885
    Reapers Resting in a Wheat FieldJohn Singer Sargent, 1885Courtesy of The Metropolitan Museum of Art
  2. A VILLAGE SQUARE
    A Village SquareWalter Shirlaw, 1875–80Courtesy of Cooper Hewitt, Smithsonian Design Museum