Realism
Ordinary people and working lives, painted as they were, from the 1840s on.
Section 1, north wall

Garden View, BrooklynFidelia Bridges, ca. 1867Courtesy of The Metropolitan Museum of Art 
An Orange Note: Sweet ShopJames McNeill Whistler, 1883 or 1884Courtesy of the National Museum of Asian Art, Smithsonian Institution 
Still Life—Violin and MusicWilliam Michael Harnett, 1888Courtesy of The Metropolitan Museum of Art 
Factory--Study for "Ironworkers, Noontime"/Verso: Still Life with OrangeThomas Anshutz, (1880)Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution
Section 1, south wall

Harmony in Green and Rose: The Music RoomJames McNeill Whistler, 1860-1861Courtesy of the National Museum of Asian Art, Smithsonian Institution 
Madame X (Virginie Amélie Avegno Gautreau)John Singer Sargent, 1883–84Courtesy of The Metropolitan Museum of Art 
The Yellow RoomJames McNeill Whistler, ca. 1883–84Courtesy of The Metropolitan Museum of Art
Section 2, south wall

Dance in a Subterranean Roundhouse at Clear Lake, CaliforniaJules Tavernier, 1878Courtesy of The Metropolitan Museum of Art 
Spring Blossoms, Montclair, New JerseyGeorge Inness, ca. 1891Courtesy of The Metropolitan Museum of Art 
Untitled (Cracked Watermelon)Charles Ethan Porter, ca. 1890Courtesy of The Metropolitan Museum of Art
Section 2, north wall

The Champion Single Sculls (Max Schmitt in a Single Scull)Thomas Eakins, 1871Courtesy of The Metropolitan Museum of Art 
Approaching Thunder StormMartin Johnson Heade, 1859Courtesy of The Metropolitan Museum of Art 
The Veteran in a New FieldWinslow Homer, 1865Courtesy of The Metropolitan Museum of Art
Section 3, north wall

The New BonnetFrancis William Edmonds, 1858Courtesy of The Metropolitan Museum of Art 
PlumsJohn William Hill, 1870Courtesy of The Metropolitan Museum of Art 
Stage Fort across Gloucester HarborFitz Henry Lane, 1862Courtesy of The Metropolitan Museum of Art