Floor plan

Style galleriesRenaissance

Renaissance

A work made of tempera on panel, transferred to canvas.
A work made of oil on panel.
Portrait of Roberto Castiglione, early 1600s
Dead Blue Roller, by Hans Hoffmann, 1583
Outdoors, distinct groupings of adult men and women, some with halos, gather near a building. The front-facing wall of the building is not depicted, allowing for a view inside, where a woman sits in bed with two women nearby and two other women dress a baby. A bearded man sits near the bed.
The Passion: Christ Before Annas, by Martin Schongauer, c. 1480

The works in this room are listed below.

Works in this room

European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.

First room, north wall

  1. A work made of tempera on panel, transferred to canvas.
    The Baptism of ChristPerugino, 1500–05Courtesy of the Art Institute of Chicago
  2. A work made of oil on panel.
    Domenico da GambassiAndrea del Sarto, 1525–28Courtesy of the Art Institute of Chicago
  3. Portrait of Roberto Castiglione, early 1600s
    Portrait of Roberto CastiglioneUnrecorded Italian maker, early 1600sCourtesy of the Cleveland Museum of Art
  4. Dead Blue Roller, by Hans Hoffmann, 1583
    Dead Blue RollerHans Hoffmann, 1583Courtesy of the Cleveland Museum of Art

First room, south wall

  1. Outdoors, distinct groupings of adult men and women, some with halos, gather near a building. The front-facing wall of the building is not depicted, allowing for a view inside, where a woman sits in bed with two women nearby and two other women dress a baby. A bearded man sits near the bed.
    Scenes from the Life of Saint John the BaptistBartolomeo di Giovanni, 1490/95Courtesy of the Art Institute of Chicago
  2. The Passion: Christ Before Annas, by Martin Schongauer, c. 1480
    The Passion: Christ Before AnnasMartin Schongauer, c. 1480Courtesy of the Cleveland Museum of Art

Second room, south wall

  1. Portrait of a Couple, c. 1580–88
    Portrait of a CoupleUnrecorded Italian maker, c. 1580–88Courtesy of the Cleveland Museum of Art
  2. The Last Supper, by Lucantonio degli Uberti, c. 1500
    The Last SupperLucantonio degli Uberti, c. 1500Courtesy of the Cleveland Museum of Art
  3. A work made of oil on panel.
    Alessandro de' MediciPontormo, (Jacopo Carrucci), 1534–35Courtesy of the Art Institute of Chicago

Second room, north wall

  1. A work made of black chalk on laid paper, laid down on tan laid pulp board.
    Study of a Standing Male NudeGiuseppe Cesari, called Cavaliere d'Arpino, 1595/96Courtesy of the Art Institute of Chicago
  2. The Nativity, by Giorgio Ghisi, 1553
    The NativityGiorgio Ghisi, 1553Courtesy of the Cleveland Museum of Art
  3. A work made of tempera on panel.
    Saint Anthony AbbotFra Angelico, 1440–41Courtesy of the Art Institute of Chicago

Third room, north wall

  1. View of Venice, by Jacopo de' Barbari, 1500
    View of VeniceJacopo de' Barbari, 1500Courtesy of the Cleveland Museum of Art
  2. A work made of red chalk and brush and red chalk wash (recto) and black chalk, with black chalk grid lines, (verso) on cream laid paper.
    A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)Giovanni Antonio di Francesco Sogliani, 1520/30Courtesy of the Art Institute of Chicago

Third room, south wall

  1. The Holy Family with Saint Elizabeth, by Jacopo de' Barbari, c. 1503
    The Holy Family with Saint ElizabethJacopo de' Barbari, c. 1503Courtesy of the Cleveland Museum of Art
  2. A work made of brush and opaque watercolor, on linen prepared with a gray ground, mounted to cream laid paper.
    Drapery Study of a Standing Figure Facing Right, in ProfileAndrea del Verrocchio, late 1460s–early 1470sCourtesy of the Art Institute of Chicago