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Romanticism

Sublime landscapes, storms and feeling, from about 1780 to 1850.

32 works · hang 7118 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. This painting shows a woman in a tan dress and a tan hat with red flowers, walking on a grassy shoreline, holding a dark purple umbrella. The woman is positioned in the center of the painting, and she faces the left, standing at the edge of the water, looking downward. She has light skin and dark hair put up under her hat. The horizon is high in the painting, where the blue-gray sky and water meet. Small ships are visible in the distance, floating on the horizon. On the right side of the painting, the yellow and green ground curves, sloping slightly downward to meet the water. The painting has loose, visible brushstrokes.
    Woman by the SeasideUnrecorded French maker, 19th centuryCourtesy National Gallery of Art, Washington
  2. The Alling Children, by Oliver Tarbell Eddy, ca. 1839
    The Alling ChildrenOliver Tarbell Eddy, ca. 1839Courtesy of The Metropolitan Museum of Art
  3. View of South Street, from Maiden Lane, New York City, by William James Bennett, ca. 1827
    View of South Street, from Maiden Lane, New York CityWilliam James Bennett, ca. 1827Courtesy of The Metropolitan Museum of Art
  4. The image shows a woman standing upright with a small red book in her right hand. She has a fair complexion, neutral expression, slightly arched eyebrows, and small, rounded lips. Her dark brown hair is styled in an updo with a black accessory. She wears a high-necked dark dress with puffed sleeves and a white collar. The background is plain blue. The woman is not wearing any visible jewelry, and the setting is minimalistic with only the book present.
    Anonymous WomanUnrecorded American maker, c. 1830Courtesy National Gallery of Art, Washington

Section 1, south wall

  1. Panoramic View of the Palace and Gardens of Versailles, by John Vanderlyn, 1818–19
    Panoramic View of the Palace and Gardens of VersaillesJohn Vanderlyn, 1818–19Courtesy of The Metropolitan Museum of Art
  2. George Washington, by Gilbert Stuart, begun 1795
    George WashingtonGilbert Stuart, begun 1795Courtesy of The Metropolitan Museum of Art
  3. A work made of etching on ivory wove paper.
    Child with RosebudPhillip Otto Runge, n.d.Courtesy of the Art Institute of Chicago
  4. Elijah Boardman, by Ralph Earl, 1789
    Elijah BoardmanRalph Earl, 1789Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. A work made of oil on canvas.
    Inside the ColosseumFranz Ludwig Catel, c. 1823Courtesy of the Art Institute of Chicago
  2. Basket of Fruit, c. 1830
    Basket of FruitUnrecorded American maker, c. 1830Courtesy National Gallery of Art, Washington
  3. Black ink drawing of forested landscape, statue of woman holding child at pinnacle of mountain.
    Statue of the Madonna in the MountainsCaspar David Friedrich, 1804Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. A work made of oil on canvas.
    The Fountain at GrottaferrataAdrian Ludwig (Ludwig) Richter, 1832Courtesy of the Art Institute of Chicago
  2. Queen Victoria, by Thomas Sully, 1838
    Queen VictoriaThomas Sully, 1838Courtesy of The Metropolitan Museum of Art
  3. A FRENCH RESTORATION BEDROOM
    A French Restoration BedroomBouilhet, French, 1823Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 3, north wall

  1. The image shows a large cut watermelon in a woven basket surrounded by various fruits including grapes, peaches, and small round red fruits. The color palette includes greens, blues, oranges, and browns. The basket takes up most of the space and is filled with fruits, with grape clusters hanging above it.
    Fruit on a TrayUnrecorded American maker, c. 1840Courtesy National Gallery of Art, Washington
  2. Washington Reviewing the Western Army at Fort Cumberland, Maryland, by Frederick Kemmelmeyer, after 1795
    Washington Reviewing the Western Army at Fort Cumberland, MarylandFrederick Kemmelmeyer, after 1795Courtesy of The Metropolitan Museum of Art