Floor plan

Style galleriesUkiyo-e

Ukiyo-e

A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
Morning Cherries at Yoshiwara, by Utagawa Hiroshige
A work made of color woodblock print; oban.
Shimosuwa, from Sixty-Nine Stations of the Kisokaidō, by Utagawa Hiroshige, 1835–38
Danjūrō VII's Benkei as Fudō Myōō, by Utagawa Kunisada, ca. 1824
A work made of color woodblock print; oban.

The works in this room are listed below.

Works in this room

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

Section 1, north wall

  1. A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
    A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art
  2. Morning Cherries at Yoshiwara, by Utagawa Hiroshige
    Morning Cherries at YoshiwaraUtagawa HiroshigeCourtesy of The Metropolitan Museum of Art
  3. A work made of color woodblock print; oban.
    The actor Osagawa Tsuneyo II as Osan, Ippei’s elder sisterTōshūsai Sharaku, 1794Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. Shimosuwa, from Sixty-Nine Stations of the Kisokaidō, by Utagawa Hiroshige, 1835–38
    Shimosuwa, from Sixty-Nine Stations of the KisokaidōUtagawa Hiroshige, 1835–38Courtesy of the Cleveland Museum of Art
  2. Danjūrō VII's Benkei as Fudō Myōō, by Utagawa Kunisada, ca. 1824
    Danjūrō VII's Benkei as Fudō MyōōUtagawa Kunisada, ca. 1824Courtesy of The Metropolitan Museum of Art
  3. A work made of color woodblock print; oban.
    Sazai Hall at the Temple of the Five Hundred Arhats (Gohyakurakanji Sazaido), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"Katsushika Hokusai, c. 1830/33Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. A work made of color woodblock print; oban.
    The Plum Orchard at Kamata (Kamata no umezono), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"Utagawa Hiroshige, 1857Courtesy of the Art Institute of Chicago
  2. Yamauba and Kintarō Playing with a Cherry, by Kitagawa Utamaro, ca. 1795
    Yamauba and Kintarō Playing with a CherryKitagawa Utamaro, ca. 1795Courtesy of The Metropolitan Museum of Art
  3. Kabuki Actor Ōtani Oniji III as Yakko Edobei, by Tōshūsai Sharaku, 1794
    Kabuki Actor Ōtani Oniji III as Yakko EdobeiTōshūsai Sharaku, 1794Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. Bandō Mitsugorō III as Daihanji Kiyozumi and Arashi Koroku IV as Koganosuke, by Shunkōsai Hokushū, 1821
    Bandō Mitsugorō III as Daihanji Kiyozumi and Arashi Koroku IV as KoganosukeShunkōsai Hokushū, 1821Courtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; oban.
    Fireworks at Ryōgoku (Ryōgoku hanabi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)Utagawa Hiroshige, 1858Courtesy of the Art Institute of Chicago
  3. A work made of color woodblock print; oban.
    The Actor Ichikawa Danjuro IV in a "Shibaraku" Role, Possibly from the Play Ima o Sakari Suehiro Genji (The Genji Clan Now at Its Zenith), Performed at the Nakamura Theater from the First Day of the Eleventh Month, 1768Katsukawa Shunshō, c. 1768Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. Table and Writing Set, by Kubo Shunman, 19th century
    Table and Writing SetKubo Shunman, 19th centuryCourtesy of The Metropolitan Museum of Art
  2. A Picture of the Viewing in the Pleasure Quarters, by Kikukawa Eizan, 1810s
    A Picture of the Viewing in the Pleasure QuartersKikukawa Eizan, 1810sCourtesy of the Cleveland Museum of Art

Section 3, south wall

  1. A work made of color woodblock print; shikishiban surimono.
    Dawn over Mout Fuji and Susaki, from the series "Five Views of Mount Fuji (Fuji goban no uchi)"Utagawa Kuniyoshi, c. 1827/29Courtesy of the Art Institute of Chicago
  2. Kanō, from the series Sixty-nine Stations of the Kisokaidō, by Utagawa Hiroshige, c. 1835–37
    Kanō, from the series Sixty-nine Stations of the KisokaidōUtagawa Hiroshige, c. 1835–37Courtesy of the Cleveland Museum of Art