Floor plan

Style galleriesUkiyo-e

Ukiyo-e

Tea House Beside the Kamo River in Kyoto, by Nishimura Shigenaga (Japanese, 1697(?)-1756), 1740s
Numazu Ki Kure, by Utagawa Hiroshige, ca. 1834
Fudō Myōō Threatening a Novice, by Tsukioka Yoshitoshi, 1885
A work made of color woodblock print; surimono.

The works in this room are listed below.

Works in this room

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

Section 1, north wall

  1. Tea House Beside the Kamo River in Kyoto, by Nishimura Shigenaga (Japanese, 1697(?)-1756), 1740s
    Tea House Beside the Kamo River in KyotoNishimura Shigenaga (Japanese, 1697(?)-1756), 1740sCourtesy of the Cleveland Museum of Art
  2. Numazu Ki Kure, by Utagawa Hiroshige, ca. 1834
    Numazu Ki KureUtagawa Hiroshige, ca. 1834Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. Fudō Myōō Threatening a Novice, by Tsukioka Yoshitoshi, 1885
    Fudō Myōō Threatening a NoviceTsukioka Yoshitoshi, 1885Courtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; surimono.
    PeoniesKitagawa Utamaro, n.d.Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. A work made of color woodblock print; oban.
    Kisegawa of the Matsubaya, from the series "Comparing the Charms of Five Beauties (Gonin bijin aikyo kurabe)"Kitagawa Utamaro, c. 1795/96Courtesy of the Art Institute of Chicago
  2. Kabuki Actors Asao Yūjirō as Sano Genzaemon and Ichikawa Ebijūrō I as Miura Arajirō, in the play Keisei Sano no Funabashi, by Shunkōsai Hokushū, 1822
    Kabuki Actors Asao Yūjirō as Sano Genzaemon and Ichikawa Ebijūrō I as Miura Arajirō, in the play Keisei Sano no FunabashiShunkōsai Hokushū, 1822Courtesy of The Metropolitan Museum of Art
  3. A work made of color woodblock print; uchiwa-e.
    Morning Glories, Pinks, and Maiden Flower, from the series "Seven Autumn Flowers in Moonlight"Utagawa Hiroshige, 1830/44Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. A work made of color woodblock print; vertical oban diptych.
    Image of a Japanese Woman (Fujo Yamato sugata)Utagawa Kunisada I (Toyokuni III), c. 1830/35Courtesy of the Art Institute of Chicago
  2. Jihei of Kamiya Eloping with the Geisha Koharu of Kinokuniya, from the series “True Feelings Compared: The Founts of Love” (Jitsu kurabe iro no Minakami), by Kitagawa Utamaro, ca. 1798–99
    Jihei of Kamiya Eloping with the Geisha Koharu of Kinokuniya, from the series “True Feelings Compared: The Founts of Love” (Jitsu kurabe iro no Minakami)Kitagawa Utamaro, ca. 1798–99Courtesy of The Metropolitan Museum of Art
  3. Miyako Shell, by Katsushika Hokusai, probably 1821
    Miyako ShellKatsushika Hokusai, probably 1821Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. A work made of color woodblock print; shikishiban surimono.
    Dawn over Mout Fuji and Susaki, from the series "Five Views of Mount Fuji (Fuji goban no uchi)"Utagawa Kuniyoshi, c. 1827/29Courtesy of the Art Institute of Chicago
  2. A work made of color woodblock print; ōban.
    Awa Province: Naruto Whirlpools (Awa, Naruto no fūha), from the series Famous Places in the Sixty-Odd Provinces (Rokujūyoshmeisho zue)Utagawa Hiroshige, 1855Courtesy of the Art Institute of Chicago
  3. A work made of color woodblock print; surimono.
    A Pine Tree and CamelliasNiwa Tokei, 1840Courtesy of the Art Institute of Chicago

Section 3, south wall

  1. A work made of color woodblock print; ōban.
    Amida Falls in the Far Reaches of the Kisokaido (Kisoji no oku Amidagataki), from the series "A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)"Katsushika Hokusai, About 1833Courtesy of the Art Institute of Chicago
  2. The Actor Onoye Matsusuke as a Ronin, by Tōshūsai Sharaku
    The Actor Onoye Matsusuke as a RoninTōshūsai SharakuCourtesy of The Metropolitan Museum of Art
  3. Print showing a string of travelers with horses walking along a narrow hillside path beneath an enormous craggy beige mountain at left and an equally massive and craggy deep-blue mountain at right. A brown snow-covered peak appears between these mountains. A mass of cream-colored clouds and a river with rounded ripples fill the middle plane of the composition.
    The Back of Mount Fuji Seen from Minobu River (Minobugawa Urafuji), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)Katsushika Hokusai, 1830-33Courtesy of the Art Institute of Chicago