Floor plan

Style galleriesUkiyo-e

Ukiyo-e

Perspective View of the Interior of the Nakamura Theater with Ichikawa Ebizo II as Yanone Goro, by Okumura Masanobu, 1740
Kabuki Actor Nakamura Utaemon III as the Sword Master Kyōgoku Takumi, from the series Issei ichidai atari Kyōgen (Hits of a Lifetime of Kyōgen), by Shunkōsai Hokushū, 1825
Shimosuwa, from Sixty-Nine Stations of the Kisokaidō, by Utagawa Hiroshige, 1835–38
Cherry Blossoms in the Wind, by Utagawa Toyokuni, late 1790s

The works in this room are listed below.

Works in this room

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

Section 1, north wall

  1. Perspective View of the Interior of the Nakamura Theater with Ichikawa Ebizo II as Yanone Goro, by Okumura Masanobu, 1740
    Perspective View of the Interior of the Nakamura Theater with Ichikawa Ebizo II as Yanone GoroOkumura Masanobu, 1740Courtesy of the Cleveland Museum of Art
  2. Kabuki Actor Nakamura Utaemon III as the Sword Master Kyōgoku Takumi, from the series Issei ichidai atari Kyōgen (Hits of a Lifetime of Kyōgen), by Shunkōsai Hokushū, 1825
    Kabuki Actor Nakamura Utaemon III as the Sword Master Kyōgoku Takumi, from the series Issei ichidai atari Kyōgen (Hits of a Lifetime of Kyōgen)Shunkōsai Hokushū, 1825Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. Shimosuwa, from Sixty-Nine Stations of the Kisokaidō, by Utagawa Hiroshige, 1835–38
    Shimosuwa, from Sixty-Nine Stations of the KisokaidōUtagawa Hiroshige, 1835–38Courtesy of the Cleveland Museum of Art
  2. Cherry Blossoms in the Wind, by Utagawa Toyokuni, late 1790s
    Cherry Blossoms in the WindUtagawa Toyokuni, late 1790sCourtesy of the Cleveland Museum of Art

Section 2, south wall

  1. Numazu Ki Kure, by Utagawa Hiroshige, ca. 1834
    Numazu Ki KureUtagawa Hiroshige, ca. 1834Courtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; oban.
    The Ninth Month, from the series Five Amorous Festivals of Love (Aibore iro no gosekku)Kitagawa Utamaro, 1801Courtesy of the Art Institute of Chicago
  3. Jihei of Kamiya Eloping with the Geisha Koharu of Kinokuniya, from the series “True Feelings Compared: The Founts of Love” (Jitsu kurabe iro no Minakami), by Kitagawa Utamaro, ca. 1798–99
    Jihei of Kamiya Eloping with the Geisha Koharu of Kinokuniya, from the series “True Feelings Compared: The Founts of Love” (Jitsu kurabe iro no Minakami)Kitagawa Utamaro, ca. 1798–99Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. Matsumoto Koshiro IV as the Fish Peddler Gorobei, by Tōshūsai Sharaku, Probably late 1880s or early 1890s
    Matsumoto Koshiro IV as the Fish Peddler GorobeiTōshūsai Sharaku, Probably late 1880s or early 1890sCourtesy of The Metropolitan Museum of Art
  2. “Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi), by Kitagawa Utamaro, ca. 1790
    “Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi)Kitagawa Utamaro, ca. 1790Courtesy of The Metropolitan Museum of Art
  3. Yamauba and Kintarō Playing with a Cherry, by Kitagawa Utamaro, ca. 1795
    Yamauba and Kintarō Playing with a CherryKitagawa Utamaro, ca. 1795Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. Nissaka: The Night-Weeping Stone at Sayo no Nakayama, from the series The Fifty-Three Stations of the Tōkaidō, by Utagawa Hiroshige, c. 1848–50
    Nissaka: The Night-Weeping Stone at Sayo no Nakayama, from the series The Fifty-Three Stations of the TōkaidōUtagawa Hiroshige, c. 1848–50Courtesy of the Cleveland Museum of Art
  2. A work made of color woodblock print; oban triptych.
    Eight Modern Views of Famous Places in Tokyo of Great Japan (Dai Nippon Tokyo kaika meisho hakkei no zu)Utagawa Kunisada II (Kunimasa III, Toyokuni IV), 1875Courtesy of the Art Institute of Chicago

Section 3, south wall

  1. Scene from a Play, by Katsukawa Shunjō, ca. 1780
    Scene from a PlayKatsukawa Shunjō, ca. 1780Courtesy of The Metropolitan Museum of Art
  2. Morning Cherries at Yoshiwara, by Utagawa Hiroshige
    Morning Cherries at YoshiwaraUtagawa HiroshigeCourtesy of The Metropolitan Museum of Art

Section 4, south wall

  1. A work made of color woodblock print; oban.
    Irises at Horikiri (Horikiri no hanashobu), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"Utagawa Hiroshige, 1857Courtesy of the Art Institute of Chicago
  2. The Actor Onoye Matsusuke as a Ronin, by Tōshūsai Sharaku
    The Actor Onoye Matsusuke as a RoninTōshūsai SharakuCourtesy of The Metropolitan Museum of Art