Ukiyo-e
Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.
Section 1, north wall

The Doll Festival, Third Day of the Third MonthKubo Shunman, 19th centuryCourtesy of The Metropolitan Museum of Art 
Yamauba and Kintarō Playing with a CherryKitagawa Utamaro, ca. 1795Courtesy of The Metropolitan Museum of Art 
Woman About to Write a PoemYashima Gakutei, c. 1824Courtesy of the Art Institute of Chicago
Section 1, south wall

Girl on Balcony above Stone StairwaySuzuki Harunobu, ca. 1768Courtesy of The Metropolitan Museum of Art 
View of Futami Beach at IseShōtei Hokuju, ca. 1810–1820Courtesy of The Metropolitan Museum of Art 
Foreigners in the Drawing Room of Foreign Merchant's House in YokohamaUtagawa (Gountei) Sadahide, 9th month, 1861Courtesy of The Metropolitan Museum of Art
Section 2, south wall

Young Woman Looking at a Pot of PinksSuzuki Harunobu, c. 1767Courtesy of the Cleveland Museum of Art 
A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art 
Xu You and Chao FuOkumura Masanobu, 18th centuryCourtesy of The Metropolitan Museum of Art
Section 2, north wall

Perspective Pictures for The Treasure House of LoyaltyKitao Masayoshi, c. 1790sCourtesy of the Cleveland Museum of Art 
Courting Komachi (Kayoi Komachi), from the series Seven Fashionable Figures of Ono no Komachi (Furyu nana Komachi yatushi sugata-e)Utagawa Toyokuni, Edo period (1615–1868), about 1792Courtesy of the Art Institute of Chicago 
A CourtesanKitagawa UtamaroCourtesy of The Metropolitan Museum of Art
Section 3, north wall

Procession of Russian Marching Band, from the Album of seven prints of Russian Army and Warship (Roshia seigi shashin kan), 1853Keiga, 1853Courtesy of the Art Institute of Chicago 
Danjūrō VII's Benkei as Fudō MyōōUtagawa Kunisada, ca. 1824Courtesy of The Metropolitan Museum of Art
Section 3, south wall

Eight Modern Views of Famous Places in Tokyo of Great Japan (Dai Nippon Tokyo kaika meisho hakkei no zu)Utagawa Kunisada II (Kunimasa III, Toyokuni IV), 1875Courtesy of the Art Institute of Chicago 
The Monkey BridgeKatsushika Taito II, early 1830sCourtesy of the Cleveland Museum of Art