Ukiyo-e
Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.
Section 1, north wall

“Hour of the Rat: Mistress,” from the series Women’s Daily Customs (Fuzoku bijin tokei)Kitagawa Utamaro, 1790Courtesy of The Metropolitan Museum of Art 
Women Grating Radish for SashimiKitagawa Utamaro, ca. 1798–99Courtesy of The Metropolitan Museum of Art 
Lovers Walking in the Snow (Crow and Heron)Suzuki Harunobu, 1764–72Courtesy of The Metropolitan Museum of Art
Section 1, south wall

Danjūrō VII's Benkei as Fudō MyōōUtagawa Kunisada, ca. 1824Courtesy of The Metropolitan Museum of Art 
The Ninth Month, from the series Five Amorous Festivals of Love (Aibore iro no gosekku)Kitagawa Utamaro, 1801Courtesy of the Art Institute of Chicago 
Grasshopper and IrisKatsushika Hokusai, late 1820sCourtesy of The Metropolitan Museum of Art
Section 2, south wall

Women and Children Viewing the FireworksKatsushika Hokusai, c. 1798Courtesy of the Art Institute of Chicago 
The Shika TeahouseUtagawa Toyokuni, early 1790sCourtesy of the Cleveland Museum of Art 
Fireworks at Ryōgoku (Ryōgoku hanabi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)Utagawa Hiroshige, 1858Courtesy of the Art Institute of Chicago
Section 2, north wall

Catching FirefliesEishosai Choki, c.1790sCourtesy of the Art Institute of Chicago 
Young Woman Looking at a Pot of PinksSuzuki Harunobu, c. 1767Courtesy of the Cleveland Museum of Art 
A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art
Section 3, north wall

Iris GardenKatsukawa Shunchô, c. 1781/89Courtesy of the Art Institute of Chicago 
Precincts of Kameido Tenjin Shrine (Kameido Tenjin keidai), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"Utagawa Hiroshige, 1856Courtesy of the Art Institute of Chicago
Section 3, south wall

Osumi, a Tayu of the Tsuchiya in the Shinmachi Quarter in OsakaEishosai Choki, c. 1796/97Courtesy of the Art Institute of Chicago 
Table and Writing SetKubo Shunman, 19th centuryCourtesy of The Metropolitan Museum of Art