Ukiyo-e
Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.
Section 1, north wall

Catching FirefliesEishosai Choki, c.1790sCourtesy of the Art Institute of Chicago 
“America”: Enjoying Hot Air BalloonsUtagawa Yoshitora, 1867Courtesy of The Metropolitan Museum of Art
Section 1, south wall

England (Igirisukoku)Utagawa Yoshitora, 2nd month, 1865Courtesy of The Metropolitan Museum of Art 
Danjūrō VII's Benkei as Fudō MyōōUtagawa Kunisada, ca. 1824Courtesy of The Metropolitan Museum of Art 
Lake Suwa in Shinano Province (Shinshu Suwako), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"Katsushika Hokusai, c. 1830/33Courtesy of the Art Institute of Chicago
Section 2, south wall

Cherry Shell, from the series Genroku Poetry Shell GamesKatsushika Hokusai, probably 1821Courtesy of The Metropolitan Museum of Art 
Cherry Blossoms in the WindUtagawa Toyokuni, late 1790sCourtesy of the Cleveland Museum of Art 
Three Beauties of Our Time (Tosei san bijin)Chokosai Eisho, n.d.Courtesy of the Art Institute of Chicago
Section 2, north wall

Perspective Pictures for The Treasure House of LoyaltyKitao Masayoshi, c. 1790sCourtesy of the Cleveland Museum of Art 
Standing BeautyKaigetsudo Anchi, About 1714Courtesy of the Art Institute of Chicago 
French Woman and Girl, from the series Foreign Merchants in Yokohama (Yokohama shōka ijin no zu)Utagawa (Gountei) Sadahide, 1st month, 1861Courtesy of The Metropolitan Museum of Art
Section 3, north wall

Scene of Foxfire (Kitsunebi) from the Play Honchō nijūshikōYōshū (Hashimoto) Chikanobu, 1898Courtesy of The Metropolitan Museum of Art 
France (furansukoku)Utagawa Yoshitora, 2nd month, 1865Courtesy of The Metropolitan Museum of Art 
The Poetess Shunzei no Musume, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)Chôbunsai Eishi, Edo period (1615–1868), 1801Courtesy of the Art Institute of Chicago
Section 3, south wall

Eight Modern Views of Famous Places in Tokyo of Great Japan (Dai Nippon Tokyo kaika meisho hakkei no zu)Utagawa Kunisada II (Kunimasa III, Toyokuni IV), 1875Courtesy of the Art Institute of Chicago 
Books and CardsReisai, 18th–19th centuryCourtesy of The Metropolitan Museum of Art