Floor plan

Style galleriesUkiyo-e

Ukiyo-e

Girl on Balcony above Stone Stairway, by Suzuki Harunobu, ca. 1768
Kanagawa, Inland Sea: Top of the Street, by Utagawa Hiroshige, 1797–1858
Foreigners Enjoying a Party (Gaikokujin yūkyō no zu), by Utagawa Yoshitora, 1st month, 1861
A work made of color woodblock print; oban.
Vehicles on the Streets of Tokyo, by Utagawa Yoshitora, 1870

The works in this room are listed below.

Works in this room

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

Section 1, north wall

  1. Girl on Balcony above Stone Stairway, by Suzuki Harunobu, ca. 1768
    Girl on Balcony above Stone StairwaySuzuki Harunobu, ca. 1768Courtesy of The Metropolitan Museum of Art
  2. Kanagawa, Inland Sea: Top of the Street, by Utagawa Hiroshige, 1797–1858
    Kanagawa, Inland Sea: Top of the StreetUtagawa Hiroshige, 1797–1858Courtesy of the Cleveland Museum of Art
  3. Foreigners Enjoying a Party (Gaikokujin yūkyō no zu), by Utagawa Yoshitora, 1st month, 1861
    Foreigners Enjoying a Party (Gaikokujin yūkyō no zu)Utagawa Yoshitora, 1st month, 1861Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. A work made of color woodblock print; oban.
    Lake Suwa in Shinano Province (Shinshu Suwako), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"Katsushika Hokusai, c. 1830/33Courtesy of the Art Institute of Chicago
  2. Vehicles on the Streets of Tokyo, by Utagawa Yoshitora, 1870
    Vehicles on the Streets of TokyoUtagawa Yoshitora, 1870Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. Scene of Foxfire (Kitsunebi) from the Play Honchō nijūshikō, by Yōshū (Hashimoto) Chikanobu, 1898
    Scene of Foxfire (Kitsunebi) from the Play Honchō nijūshikōYōshū (Hashimoto) Chikanobu, 1898Courtesy of The Metropolitan Museum of Art
  2. Ichikawa Monnosuke II as Soga no Gorō, by Katsukawa Shunkō, 1779
    Ichikawa Monnosuke II as Soga no GorōKatsukawa Shunkō, 1779Courtesy of the Cleveland Museum of Art
  3. Courtesans at Leisure from the series The Six Immortal Poets, by Katsukawa Shunzan, early 1780s
    Courtesans at Leisure from the series The Six Immortal PoetsKatsukawa Shunzan, early 1780sCourtesy of the Cleveland Museum of Art

Section 2, north wall

  1. A work made of color woodblock print.
    Tsuten-kyo Bridge, Tofuku Temple, Kyoto (Kyoto Tofukuji Tsutenkyo bashi) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”Utagawa Hiroshige II, 1859Courtesy of the Art Institute of Chicago
  2. A work made of color woodblock print; oban.
    Three Beauties of Our Time (Tosei san bijin)Chokosai Eisho, n.d.Courtesy of the Art Institute of Chicago
  3. Perspective Pictures for The Treasure House of Loyalty, by Kitao Masayoshi, c. 1790s
    Perspective Pictures for The Treasure House of LoyaltyKitao Masayoshi, c. 1790sCourtesy of the Cleveland Museum of Art

Section 3, north wall

  1. Foreign Family with Wife Making Clothes (Gaikokujin ifuku shitate no zu), by Utagawa Yoshikazu, 1860
    Foreign Family with Wife Making Clothes (Gaikokujin ifuku shitate no zu)Utagawa Yoshikazu, 1860Courtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; uchiwa-e.
    Iwai Kumesaburo II as the Courtesan Takao in Banzei Okuni KabukiUtagawa Kunisada, c. 1827Courtesy of the Art Institute of Chicago
  3. Cherry Shell, from the series Genroku Poetry Shell Games, by Katsushika Hokusai, probably 1821
    Cherry Shell, from the series Genroku Poetry Shell GamesKatsushika Hokusai, probably 1821Courtesy of The Metropolitan Museum of Art

Section 3, south wall

  1. Yōrō Waterfall in Mino Province (Mino no Yōrō no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri), by Katsushika Hokusai, ca. 1832
    Yōrō Waterfall in Mino Province (Mino no Yōrō no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)Katsushika Hokusai, ca. 1832Courtesy of The Metropolitan Museum of Art
  2. Screen and Utensils for the Incense Ceremony, by Kubo Shunman, 19th century
    Screen and Utensils for the Incense CeremonyKubo Shunman, 19th centuryCourtesy of The Metropolitan Museum of Art