Floor plan

Style galleriesUkiyo-e

Ukiyo-e

The Actor Ishikawa Danjuro V Performing a Shibaroku Act with a Drawn Sword in His Hand, by Katsukawa Shunshō, ca. 1781
England (Igirisukoku), by Utagawa Yoshitora, 2nd month, 1865
Danjūrō VII's Benkei as Fudō Myōō, by Utagawa Kunisada, ca. 1824
Scene from a Play, by Katsukawa Shunjō, ca. 1780
A work made of color woodblock print; chuban.
Anekawa Daisuke as Ayame-no-mae, by Torii Kiyomitsu, 1760

The works in this room are listed below.

Works in this room

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

Section 1, north wall

  1. The Actor Ishikawa Danjuro V Performing a Shibaroku Act with a Drawn Sword in His Hand, by Katsukawa Shunshō, ca. 1781
    The Actor Ishikawa Danjuro V Performing a Shibaroku Act with a Drawn Sword in His HandKatsukawa Shunshō, ca. 1781Courtesy of The Metropolitan Museum of Art
  2. England (Igirisukoku), by Utagawa Yoshitora, 2nd month, 1865
    England (Igirisukoku)Utagawa Yoshitora, 2nd month, 1865Courtesy of The Metropolitan Museum of Art
  3. Danjūrō VII's Benkei as Fudō Myōō, by Utagawa Kunisada, ca. 1824
    Danjūrō VII's Benkei as Fudō MyōōUtagawa Kunisada, ca. 1824Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. Scene from a Play, by Katsukawa Shunjō, ca. 1780
    Scene from a PlayKatsukawa Shunjō, ca. 1780Courtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; chuban.
    Two Young Women Playing Cat's CradleIsoda Koryusai, c. 1769Courtesy of the Art Institute of Chicago
  3. Anekawa Daisuke as Ayame-no-mae, by Torii Kiyomitsu, 1760
    Anekawa Daisuke as Ayame-no-maeTorii Kiyomitsu, 1760Courtesy of the Cleveland Museum of Art

Section 2, south wall

  1. A work made of color woodblock print; hosoban.
    Actor Nakamura Nakazô I as Osada no Tarô in The Genji Clan Now at Its Zenith (Ima o sakari suehiro Genji)Katsukawa Shunshō, About 1768Courtesy of the Art Institute of Chicago
  2. Screen and Utensils for the Incense Ceremony, by Kubo Shunman, 19th century
    Screen and Utensils for the Incense CeremonyKubo Shunman, 19th centuryCourtesy of The Metropolitan Museum of Art
  3. A work made of color woodblock print; oban.
    Courting Komachi (Kayoi Komachi), from the series Seven Fashionable Figures of Ono no Komachi (Furyu nana Komachi yatushi sugata-e)Utagawa Toyokuni, Edo period (1615–1868), about 1792Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. A work made of color woodblock print; ōban.
    Plum Garden at Kameido (Kameido Umeyashiki), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"Utagawa Hiroshige, 1857Courtesy of the Art Institute of Chicago
  2. Kabuki Actor Nakamura Utaemon III as the Sword Master Kyōgoku Takumi, from the series Issei ichidai atari Kyōgen (Hits of a Lifetime of Kyōgen), by Shunkōsai Hokushū, 1825
    Kabuki Actor Nakamura Utaemon III as the Sword Master Kyōgoku Takumi, from the series Issei ichidai atari Kyōgen (Hits of a Lifetime of Kyōgen)Shunkōsai Hokushū, 1825Courtesy of The Metropolitan Museum of Art
  3. Sugatano of Sugata Ebisuya in the Morning, Hour of the Rabbit, from the series The Twelve Hours in the Pleasure Quarters, by Kikukawa Eizan, 1812
    Sugatano of Sugata Ebisuya in the Morning, Hour of the Rabbit, from the series The Twelve Hours in the Pleasure QuartersKikukawa Eizan, 1812Courtesy of the Cleveland Museum of Art

Section 3, north wall

  1. Ichikawa Ebizo IV in the role of Takemura Sadanoshin, by Tōshūsai Sharaku, Probably late 1880s or early 1890s
    Ichikawa Ebizo IV in the role of Takemura SadanoshinTōshūsai Sharaku, Probably late 1880s or early 1890sCourtesy of The Metropolitan Museum of Art
  2. A work made of page from a color woodblock-printed volume.
    The Poetess Shunzei no Musume, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)Chôbunsai Eishi, Edo period (1615–1868), 1801Courtesy of the Art Institute of Chicago

Section 3, south wall

  1. Print showing a string of travelers with horses walking along a narrow hillside path beneath an enormous craggy beige mountain at left and an equally massive and craggy deep-blue mountain at right. A brown snow-covered peak appears between these mountains. A mass of cream-colored clouds and a river with rounded ripples fill the middle plane of the composition.
    The Back of Mount Fuji Seen from Minobu River (Minobugawa Urafuji), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)Katsushika Hokusai, 1830-33Courtesy of the Art Institute of Chicago
  2. Table and Writing Set, by Kubo Shunman, 19th century
    Table and Writing SetKubo Shunman, 19th centuryCourtesy of The Metropolitan Museum of Art