Floor plan

Style galleriesUkiyo-e

Ukiyo-e

The Monkey Bridge, by Katsushika Taito II, early 1830s
Kanagawa, Inland Sea: Top of the Street, by Utagawa Hiroshige, 1797–1858
The Shika Teahouse, by Utagawa Toyokuni, early 1790s
Incense Boxes with a Wrapping Cloth, by Kubo Shunman, 1808
A Girl Writing a Letter, by Suzuki Harunobu, 18th century
A work made of color woodblock print; chuban.

The works in this room are listed below.

Works in this room

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

Section 1, north wall

  1. The Monkey Bridge, by Katsushika Taito II, early 1830s
    The Monkey BridgeKatsushika Taito II, early 1830sCourtesy of the Cleveland Museum of Art
  2. Kanagawa, Inland Sea: Top of the Street, by Utagawa Hiroshige, 1797–1858
    Kanagawa, Inland Sea: Top of the StreetUtagawa Hiroshige, 1797–1858Courtesy of the Cleveland Museum of Art
  3. The Shika Teahouse, by Utagawa Toyokuni, early 1790s
    The Shika TeahouseUtagawa Toyokuni, early 1790sCourtesy of the Cleveland Museum of Art

Section 1, south wall

  1. Incense Boxes with a Wrapping Cloth, by Kubo Shunman, 1808
    Incense Boxes with a Wrapping ClothKubo Shunman, 1808Courtesy of The Metropolitan Museum of Art
  2. A Girl Writing a Letter, by Suzuki Harunobu, 18th century
    A Girl Writing a LetterSuzuki Harunobu, 18th centuryCourtesy of The Metropolitan Museum of Art
  3. A work made of color woodblock print; chuban.
    Delaying the announcement of dawnSuzuki Harunobu, c. 1767/68Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. A work made of color woodblock print; oban.
    Osumi, a Tayu of the Tsuchiya in the Shinmachi Quarter in OsakaEishosai Choki, c. 1796/97Courtesy of the Art Institute of Chicago
  2. Plate from the Erotic Book Mounds of Dyed Colors: A Pattern Book for the Boudoir (Someiro no yama neya no hinagata), First Month, by Okumura Masanobu, ca. 1736–44
    Plate from the Erotic Book Mounds of Dyed Colors: A Pattern Book for the Boudoir (Someiro no yama neya no hinagata), First MonthOkumura Masanobu, ca. 1736–44Courtesy of The Metropolitan Museum of Art
  3. A color woodblock print of a large crashing wave, looms over two narrow boats full of people. Mt Fuji in the background. There is a faint peach colored sky.
    Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)"Katsushika Hokusai, 1830/33Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. Kingfisher and Chinese Bellflowers, by Utagawa Hiroshige, early or mid-1830s
    Kingfisher and Chinese BellflowersUtagawa Hiroshige, early or mid-1830sCourtesy of the Cleveland Museum of Art
  2. A work made of color woodblock print; uchiwa-e, aizuri-e.
    Mount Fuji Rising beyond Miho BeachUtagawa Hiroshige, c. 1838/42Courtesy of the Art Institute of Chicago
  3. Grasshopper and Iris, by Katsushika Hokusai, late 1820s
    Grasshopper and IrisKatsushika Hokusai, late 1820sCourtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. Kinryūsan Temple at Asakusa, from the series "One Hundred Famous Views of Edo", by Utagawa Hiroshige, 1856
    Kinryūsan Temple at Asakusa, from the series "One Hundred Famous Views of Edo"Utagawa Hiroshige, 1856Courtesy of The Metropolitan Museum of Art
  2. Chushingura: Act I (from the series Perspective Pictures for The Treasure House of Loyalty), by Kitao Masayoshi, c. 1790s
    Chushingura: Act I (from the series Perspective Pictures for The Treasure House of Loyalty)Kitao Masayoshi, c. 1790sCourtesy of the Cleveland Museum of Art

Section 3, south wall

  1. The Shika Teahouse, by Utagawa Toyokuni, early 1790s
    The Shika TeahouseUtagawa Toyokuni, early 1790sCourtesy of the Cleveland Museum of Art
  2. Cherry Blossoms in the Wind, by Utagawa Toyokuni, late 1790s
    Cherry Blossoms in the WindUtagawa Toyokuni, late 1790sCourtesy of the Cleveland Museum of Art