Floor plan

Style galleriesUkiyo-e

Ukiyo-e

Morning Cherries at Yoshiwara, by Utagawa Hiroshige
Yamauba and Kintarō Playing with a Cherry, by Kitagawa Utamaro, ca. 1795
A work made of color woodblock print with metallic pigments; surimono shikishiban.
A work made of color woodblock print; shikishiban, surimono.
“Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi), by Kitagawa Utamaro, ca. 1790
Girl on Balcony above Stone Stairway, by Suzuki Harunobu, ca. 1768

The works in this room are listed below.

Works in this room

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

Section 1, north wall

  1. Morning Cherries at Yoshiwara, by Utagawa Hiroshige
    Morning Cherries at YoshiwaraUtagawa HiroshigeCourtesy of The Metropolitan Museum of Art
  2. Yamauba and Kintarō Playing with a Cherry, by Kitagawa Utamaro, ca. 1795
    Yamauba and Kintarō Playing with a CherryKitagawa Utamaro, ca. 1795Courtesy of The Metropolitan Museum of Art
  3. A work made of color woodblock print with metallic pigments; surimono shikishiban.
    Woman About to Write a PoemYashima Gakutei, c. 1824Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. A work made of color woodblock print; shikishiban, surimono.
    Distant View of Mount Fuji at Dawn from HakoneUtagawa Kuniyoshi, c. 1828/30Courtesy of the Art Institute of Chicago
  2. “Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi), by Kitagawa Utamaro, ca. 1790
    “Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi)Kitagawa Utamaro, ca. 1790Courtesy of The Metropolitan Museum of Art
  3. Girl on Balcony above Stone Stairway, by Suzuki Harunobu, ca. 1768
    Girl on Balcony above Stone StairwaySuzuki Harunobu, ca. 1768Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. A work made of color woodblock print; oban triptych.
    Young man and his party crossing a stream before Mt. FujiKitagawa Utamaro, c. 1798/1800Courtesy of the Art Institute of Chicago
  2. A work made of color woodblock print; oban.
    Fireworks at Ryōgoku (Ryōgoku hanabi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)Utagawa Hiroshige, 1858Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. A work made of color woodblock print; chuban.
    The Poetess Ono no KomachiSuzuki Harunobu, Edo period (1615–1868), 1767/68Courtesy of the Art Institute of Chicago
  2. Miyako Shell, by Katsushika Hokusai, probably 1821
    Miyako ShellKatsushika Hokusai, probably 1821Courtesy of The Metropolitan Museum of Art
  3. Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), by Katsushika Hokusai, ca. 1830–32
    Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)Katsushika Hokusai, ca. 1830–32Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. Kabuki Actor Nakamura Utaemon III as the Sword Master Kyōgoku Takumi, from the series Issei ichidai atari Kyōgen (Hits of a Lifetime of Kyōgen), by Shunkōsai Hokushū, 1825
    Kabuki Actor Nakamura Utaemon III as the Sword Master Kyōgoku Takumi, from the series Issei ichidai atari Kyōgen (Hits of a Lifetime of Kyōgen)Shunkōsai Hokushū, 1825Courtesy of The Metropolitan Museum of Art
  2. France (furansukoku), by Utagawa Yoshitora, 2nd month, 1865
    France (furansukoku)Utagawa Yoshitora, 2nd month, 1865Courtesy of The Metropolitan Museum of Art
  3. A work made of color woodblock print; chuban.
    Viewing the MoonSuzuki Harunobu, c. 1767/68Courtesy of the Art Institute of Chicago

Section 3, south wall

  1. Kinryūsan Temple at Asakusa, from the series "One Hundred Famous Views of Edo", by Utagawa Hiroshige, 1856
    Kinryūsan Temple at Asakusa, from the series "One Hundred Famous Views of Edo"Utagawa Hiroshige, 1856Courtesy of The Metropolitan Museum of Art
  2. A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
    A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art