Floor plan

Style galleriesUkiyo-e

Ukiyo-e

A work made of color woodblock print; oban.
Chushingura: Act I (from the series Perspective Pictures for The Treasure House of Loyalty), by Kitao Masayoshi, c. 1790s
Screen and Utensils for the Incense Ceremony, by Kubo Shunman, 19th century
France (furansukoku), by Utagawa Yoshitora, 2nd month, 1865
A work made of color woodblock print; oban.
Ichikawa Ebizo IV in the role of Takemura Sadanoshin, by Tōshūsai Sharaku, Probably late 1880s or early 1890s

The works in this room are listed below.

Works in this room

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

Section 1, north wall

  1. A work made of color woodblock print; oban.
    Fireworks at Ryōgoku (Ryōgoku hanabi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)Utagawa Hiroshige, 1858Courtesy of the Art Institute of Chicago
  2. Chushingura: Act I (from the series Perspective Pictures for The Treasure House of Loyalty), by Kitao Masayoshi, c. 1790s
    Chushingura: Act I (from the series Perspective Pictures for The Treasure House of Loyalty)Kitao Masayoshi, c. 1790sCourtesy of the Cleveland Museum of Art
  3. Screen and Utensils for the Incense Ceremony, by Kubo Shunman, 19th century
    Screen and Utensils for the Incense CeremonyKubo Shunman, 19th centuryCourtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. France (furansukoku), by Utagawa Yoshitora, 2nd month, 1865
    France (furansukoku)Utagawa Yoshitora, 2nd month, 1865Courtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; oban.
    The actor Osagawa Tsuneyo II as Osan, Ippei’s elder sisterTōshūsai Sharaku, 1794Courtesy of the Art Institute of Chicago
  3. Ichikawa Ebizo IV in the role of Takemura Sadanoshin, by Tōshūsai Sharaku, Probably late 1880s or early 1890s
    Ichikawa Ebizo IV in the role of Takemura SadanoshinTōshūsai Sharaku, Probably late 1880s or early 1890sCourtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. A work made of color woodblock print; oban triptych.
    Young man and his party crossing a stream before Mt. FujiKitagawa Utamaro, c. 1798/1800Courtesy of the Art Institute of Chicago
  2. Scene of Foxfire (Kitsunebi) from the Play Honchō nijūshikō, by Yōshū (Hashimoto) Chikanobu, 1898
    Scene of Foxfire (Kitsunebi) from the Play Honchō nijūshikōYōshū (Hashimoto) Chikanobu, 1898Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. Kanagawa, Inland Sea: Top of the Street, by Utagawa Hiroshige, 1797–1858
    Kanagawa, Inland Sea: Top of the StreetUtagawa Hiroshige, 1797–1858Courtesy of the Cleveland Museum of Art
  2. Numazu Ki Kure, by Utagawa Hiroshige, ca. 1834
    Numazu Ki KureUtagawa Hiroshige, ca. 1834Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. A work made of color woodblock print; surimono.
    Three Types of ChrysanthemumsKitao Shigemasa, c. 1790Courtesy of the Art Institute of Chicago
  2. A work made of color woodblock print; chūban.
    Searching for FirefliesSuzuki Harunobu, 1768Courtesy of the Art Institute of Chicago
  3. Cherry Shell, from the series Genroku Poetry Shell Games, by Katsushika Hokusai, probably 1821
    Cherry Shell, from the series Genroku Poetry Shell GamesKatsushika Hokusai, probably 1821Courtesy of The Metropolitan Museum of Art

Section 3, south wall

  1. A work made of color woodblock print; oban.
    Lake Suwa in Shinano Province (Shinshu Suwako), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"Katsushika Hokusai, c. 1830/33Courtesy of the Art Institute of Chicago
  2. The Actor Segawa Tomisaburo II as the Otomos' Maid Wakakusa, Actually Prince Korehito, by Tōshūsai Sharaku, 1794–75
    The Actor Segawa Tomisaburo II as the Otomos' Maid Wakakusa, Actually Prince KorehitoTōshūsai Sharaku, 1794–75Courtesy of The Metropolitan Museum of Art
  3. Tea House Beside the Kamo River in Kyoto, by Nishimura Shigenaga (Japanese, 1697(?)-1756), 1740s
    Tea House Beside the Kamo River in KyotoNishimura Shigenaga (Japanese, 1697(?)-1756), 1740sCourtesy of the Cleveland Museum of Art