The Floating World
Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.
Section 1, north wall

“America”: Enjoying Hot Air BalloonsUtagawa Yoshitora, 1867Courtesy of The Metropolitan Museum of Art 
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)Katsushika Hokusai, ca. 1830–32Courtesy of The Metropolitan Museum of Art
Section 1, south wall

Ōtsu, from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Ōtsu)Unrecorded Japanese maker, 1847–52Courtesy of The Metropolitan Museum of Art 
Shimosuwa, from Sixty-Nine Stations of the KisokaidōUtagawa Hiroshige, 1835–38Courtesy of the Cleveland Museum of Art 
Actor Onoe Matsusuke I as Retired Emperor SutokuKatsukawa Shunkо̄, About 1780Courtesy of the Art Institute of Chicago
Section 2, south wall

Kabuki Actors Asao Yūjirō as Sano Genzaemon and Ichikawa Ebijūrō I as Miura Arajirō, in the play Keisei Sano no FunabashiShunkōsai Hokushū, 1822Courtesy of The Metropolitan Museum of Art 
Net Fishing at Night on the Sumida RiverKitagawa Utamaro, c. 1800Courtesy of the Cleveland Museum of Art 
The Actor Ichikawa Danjuro IV in a "Shibaraku" Role, Possibly from the Play Ima o Sakari Suehiro Genji (The Genji Clan Now at Its Zenith), Performed at the Nakamura Theater from the First Day of the Eleventh Month, 1768Katsukawa Shunshō, c. 1768Courtesy of the Art Institute of Chicago
Section 2, north wall

The Shika TeahouseUtagawa Toyokuni, early 1790sCourtesy of the Cleveland Museum of Art 
Tobacco Pouch and PipeKubo Shunman, 1813Courtesy of The Metropolitan Museum of Art 
Iwai Kumesaburo II as the Courtesan Takao in Banzei Okuni KabukiUtagawa Kunisada, c. 1827Courtesy of the Art Institute of Chicago
Section 3, north wall

Kanagawa in Musashi Province: Distant View of Yokohama (Yokohama enbo), from the series Calligraphy and Pictures for the Fifty-three Stations of the Tokaido (Shoga gojusan eki)Utagawa Yoshimori, 1982Courtesy of the Art Institute of Chicago 
The Poetess Ono no KomachiSuzuki Harunobu, Edo period (1615–1868), 1767/68Courtesy of the Art Institute of Chicago 
The Back of Mount Fuji Seen from Minobu River (Minobugawa Urafuji), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)Katsushika Hokusai, 1830-33Courtesy of the Art Institute of Chicago
Section 3, south wall

A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art 
A Windy Day under the Cherry TreesUtagawa Toyokuni, c. 1797Courtesy of the Art Institute of Chicago