The Floating World
Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.
Section 1, north wall

Ichikawa Monnosuke II as Soga no GorōKatsukawa Shunkō, 1779Courtesy of the Cleveland Museum of Art 
Outfit for the Game of IncenseRyūryūkyo Shinsai, 19th centuryCourtesy of The Metropolitan Museum of Art 
Foreign Business Establishment in Yokohama (Yokohama ijin shōkan uriba no zu)Utagawa (Gountei) Sadahide, 9th month, 1861Courtesy of The Metropolitan Museum of Art
Section 1, south wall

Iris GardenKatsukawa Shunchô, c. 1781/89Courtesy of the Art Institute of Chicago 
France (furansukoku)Utagawa Yoshitora, 2nd month, 1865Courtesy of The Metropolitan Museum of Art
Section 2, south wall

“America”: Enjoying Hot Air BalloonsUtagawa Yoshitora, 1867Courtesy of The Metropolitan Museum of Art 
Fireworks at Ryōgoku (Ryōgoku hanabi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)Utagawa Hiroshige, 1858Courtesy of the Art Institute of Chicago
Section 2, north wall

Catching FirefliesEishosai Choki, c.1790sCourtesy of the Art Institute of Chicago 
Sazai Hall at the Temple of the Five Hundred Arhats (Gohyakurakanji Sazaido), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"Katsushika Hokusai, c. 1830/33Courtesy of the Art Institute of Chicago 
Women Grating Radish for SashimiKitagawa Utamaro, ca. 1798–99Courtesy of The Metropolitan Museum of Art
Section 3, north wall

The Poetess Shunzei no Musume, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)Chôbunsai Eishi, Edo period (1615–1868), 1801Courtesy of the Art Institute of Chicago 
Three Beauties of Our Time (Tosei san bijin)Chokosai Eisho, n.d.Courtesy of the Art Institute of Chicago 
Perspective View of the Interior of the Nakamura Theater with Ichikawa Ebizo II as Yanone GoroOkumura Masanobu, 1740Courtesy of the Cleveland Museum of Art
Section 3, south wall

Iwai Kumesaburo II as the Courtesan Takao in Banzei Okuni KabukiUtagawa Kunisada, c. 1827Courtesy of the Art Institute of Chicago 
Screen and Utensils for the Incense CeremonyKubo Shunman, 19th centuryCourtesy of The Metropolitan Museum of Art 
Segawa Tomisaburō II as Yadorigi in the Play "Hana Ayame Bunroku Soga"Tōshūsai Sharaku, 1794Courtesy of The Metropolitan Museum of Art