Floor plan

Time and placeThe 19th century

The 19th century

A work made of black crayon and charcoal, on ivory laid paper.
A work made of reed pen and black-brown ink, with black chalk on off-white wove paper.
Niagara Falls by Moonlight, by Frederic Edwin Church, probably 1856
Artist: William Thomas Mathews, Sitter: Benjamin Harrison, Current owner: National Portrait Gallery, Smithsonian Institution
American Woman Riding Side-Saddle on the Road at Honmoku, Motomura, Yokohama (America Yokohama Motomura Honmoku michi), by Utagawa Hiroshige II, 2nd month, 1861
Burning Oil Well at Night, near Rouseville, Pennsylvania, by James Hamilton, ca. 1861
The Valley of Wyoming, by Jasper Francis Cropsey, 1865

The works in this room are listed below.

Works in this room

Works made in the 19th century, anywhere in the world.

Section 1, north wall

  1. A work made of black crayon and charcoal, on ivory laid paper.
    Three GossipsHonoré Daumier, 1865/1867Courtesy of the Art Institute of Chicago
  2. A work made of reed pen and black-brown ink, with black chalk on off-white wove paper.
    Weeping TreeVincent van Gogh, 1889Courtesy of the Art Institute of Chicago
  3. Niagara Falls by Moonlight, by Frederic Edwin Church, probably 1856
    Niagara Falls by MoonlightFrederic Edwin Church, probably 1856Courtesy of the Cleveland Museum of Art
  4. Artist: William Thomas Mathews, Sitter: Benjamin Harrison, Current owner: National Portrait Gallery, Smithsonian Institution
    Benjamin HarrisonWilliam Thomas Mathews, 1899Courtesy of the National Portrait Gallery, Smithsonian Institution

Section 1, south wall

  1. American Woman Riding Side-Saddle on the Road at Honmoku, Motomura, Yokohama (America Yokohama Motomura Honmoku michi), by Utagawa Hiroshige II, 2nd month, 1861
    American Woman Riding Side-Saddle on the Road at Honmoku, Motomura, Yokohama (America Yokohama Motomura Honmoku michi)Utagawa Hiroshige II, 2nd month, 1861Courtesy of The Metropolitan Museum of Art
  2. Burning Oil Well at Night, near Rouseville, Pennsylvania, by James Hamilton, ca. 1861
    Burning Oil Well at Night, near Rouseville, PennsylvaniaJames Hamilton, ca. 1861Courtesy of the Smithsonian American Art Museum
  3. The Valley of Wyoming, by Jasper Francis Cropsey, 1865
    The Valley of WyomingJasper Francis Cropsey, 1865Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. Portrait of white man dressed in all black with medallion and sword.
    Amédée-David, the Comte de PastoretJean Auguste Dominique Ingres, 1823–26Courtesy of the Art Institute of Chicago
  2. A Woman Seated at a Bench on the Avenue du Bois, by Berthe Morisot, 1885
    A Woman Seated at a Bench on the Avenue du BoisBerthe Morisot, 1885Courtesy of The Metropolitan Museum of Art
  3. STUDY OF LANDSCAPE, DELAWARE RIVER
    Study of landscape, Delaware RiverWilliam Stanley Haseltine, ca. 1855Courtesy of Cooper Hewitt, Smithsonian Design Museum
  4. The Abduction of Rebecca, by Eugène Delacroix, 1846
    The Abduction of RebeccaEugène Delacroix, 1846Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. In the Omnibus, by Mary Cassatt, 1890–91
    In the OmnibusMary Cassatt, 1890–91Courtesy of the Cleveland Museum of Art
  2. A work made of oil on canvas.
    LandscapeMarcel Ordinaire, 1867Courtesy of the Art Institute of Chicago
  3. Still Life with Fan and Roses, by Thomas Hovenden, 1874
    Still Life with Fan and RosesThomas Hovenden, 1874Courtesy of the Smithsonian American Art Museum

Section 3, north wall

  1. Heavy daubs of pigment form a crowded scene of roughly defined, finely dressed individuals in a brightly color park along a riverbank.
    Oil Sketch for "A Sunday on La Grande Jatte — 1884"Georges Seurat, 1884Courtesy of the Art Institute of Chicago
  2. Evening Snow at Kanbara, from the series "Fifty-three Stations of the Tōkaidō", by Utagawa Hiroshige, ca. 1833–34
    Evening Snow at Kanbara, from the series "Fifty-three Stations of the Tōkaidō"Utagawa Hiroshige, ca. 1833–34Courtesy of The Metropolitan Museum of Art