Post-Impressionism







Works in this room
Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.
Section 1, north wall

ArmorOdilon Redon, 1891Courtesy of The Metropolitan Museum of Art 
Final Study for "Bathers at Asnières"Georges Seurat, 1883Courtesy of the Art Institute of Chicago 
The Basket of ApplesPaul Cézanne, c. 1893Courtesy of the Art Institute of Chicago 
Nursemaids’ Promenade, Frieze of CarriagesPierre Bonnard, 1895Courtesy of the Cleveland Museum of Art
Section 1, south wall

Equestrienne (At the Cirque Fernando)Henri de Toulouse-Lautrec, 1887–88Courtesy of the Art Institute of Chicago 
The Large Plane Trees (Road Menders at Saint-Rémy)Vincent van Gogh, 1889Courtesy of the Cleveland Museum of Art 
André BénacÉdouard Vuillard, 1936Courtesy of the Cleveland Museum of Art
Section 2, south wall

Madame Roulin Rocking the Cradle (La berceuse)Vincent van Gogh, 1889Courtesy of the Art Institute of Chicago 
Road in EttenVincent van Gogh, 1881Courtesy of The Metropolitan Museum of Art 
Ia Orana Maria (Hail Mary)Paul Gauguin, 1891Courtesy of The Metropolitan Museum of Art 
Pleasures of Brittany (Joies de Bretagne)Paul Gauguin, 1889Courtesy National Gallery of Art, Washington
Section 2, north wall

Monsieur Boileau at the CaféHenri de Toulouse-Lautrec, 1893Courtesy of the Cleveland Museum of Art 
Arlésiennes (Mistral)Paul Gauguin, 1888Courtesy of the Art Institute of Chicago 
Bather With Outstretched Arms (recto); Study of a Tree (verso)Paul Cézanne, 1874/77Courtesy of the Art Institute of Chicago
Section 3, north wall

Two Poplars in the Alpilles near Saint-RémyVincent van Gogh, 1889Courtesy of the Cleveland Museum of Art 
Madame Cezanne in a Yellow ChairPaul Cézanne, 1888–90Courtesy of the Art Institute of Chicago