Floor plan

East wing: The Nineteenth CenturyPost-Impressionism

Post-Impressionism

A work made of color lithograph on ivory laid paper.
The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, by Henri de Toulouse-Lautrec, 1892
Mount Sainte-Victoire, by Paul Cézanne, c. 1904
In the Waves (Dans les Vagues), by Paul Gauguin, 1889
André Bénac, by Édouard Vuillard, 1936
Two Poplars in the Alpilles near Saint-Rémy, by Vincent van Gogh, 1889
Study for "A Sunday on La Grande Jatte", by Georges Seurat, 1884
At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol), by Henri de Toulouse-Lautrec, 1899

The works in this room are listed below.

Works in this room

Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.

Section 1, north wall

  1. A work made of color lithograph on ivory laid paper.
    BathersPaul Cézanne, 1890–1900Courtesy of the Art Institute of Chicago
  2. The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, by Henri de Toulouse-Lautrec, 1892
    The Englishman (William Tom Warrener, 1861–1934) at the Moulin RougeHenri de Toulouse-Lautrec, 1892Courtesy of The Metropolitan Museum of Art
  3. Mount Sainte-Victoire, by Paul Cézanne, c. 1904
    Mount Sainte-VictoirePaul Cézanne, c. 1904Courtesy of the Cleveland Museum of Art
  4. In the Waves (Dans les Vagues), by Paul Gauguin, 1889
    In the Waves (Dans les Vagues)Paul Gauguin, 1889Courtesy of the Cleveland Museum of Art

Section 1, south wall

  1. André Bénac, by Édouard Vuillard, 1936
    André BénacÉdouard Vuillard, 1936Courtesy of the Cleveland Museum of Art
  2. Two Poplars in the Alpilles near Saint-Rémy, by Vincent van Gogh, 1889
    Two Poplars in the Alpilles near Saint-RémyVincent van Gogh, 1889Courtesy of the Cleveland Museum of Art
  3. Study for "A Sunday on La Grande Jatte", by Georges Seurat, 1884
    Study for "A Sunday on La Grande Jatte"Georges Seurat, 1884Courtesy of The Metropolitan Museum of Art
  4. At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol), by Henri de Toulouse-Lautrec, 1899
    At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol)Henri de Toulouse-Lautrec, 1899Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. Heavy daubs of pigment form a crowded scene of roughly defined, finely dressed individuals in a brightly color park along a riverbank.
    Oil Sketch for "A Sunday on La Grande Jatte — 1884"Georges Seurat, 1884Courtesy of the Art Institute of Chicago
  2. A work made of reed pen and iron-gall ink on tan laid paper.
    Avenue of Pollard Birches and PoplarsVincent van Gogh, March 1884Courtesy of the Art Institute of Chicago
  3. Ia Orana Maria (Hail Mary), by Paul Gauguin, 1891
    Ia Orana Maria (Hail Mary)Paul Gauguin, 1891Courtesy of The Metropolitan Museum of Art
  4. Aman-Jean (Portrait of Edmond François Aman-Jean), by Georges Seurat, 1882–83
    Aman-Jean (Portrait of Edmond François Aman-Jean)Georges Seurat, 1882–83Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. Self-Portrait with a Straw Hat (obverse: The Potato Peeler), by Vincent van Gogh, 1887
    Self-Portrait with a Straw Hat (obverse: The Potato Peeler)Vincent van Gogh, 1887Courtesy of The Metropolitan Museum of Art
  2. Still Life with Apples and a Pot of Primroses, by Paul Cézanne, ca. 1890
    Still Life with Apples and a Pot of PrimrosesPaul Cézanne, ca. 1890Courtesy of The Metropolitan Museum of Art
  3. A work made of oil on panel.
    Final Study for "Bathers at Asnières"Georges Seurat, 1883Courtesy of the Art Institute of Chicago
  4. Circus Sideshow (Parade de cirque), by Georges Seurat, 1887–88
    Circus Sideshow (Parade de cirque)Georges Seurat, 1887–88Courtesy of The Metropolitan Museum of Art