Floor plan

East wing: The Nineteenth CenturyPost-Impressionism

Post-Impressionism

A work made of oil on panel.
A work made of oil on vellum.
Painting of a red-haired, bearded man with light skin, painted in short brushstrokes and multicolored dots. The background is likewise a mass of small, closely spaced colored dots, these in green, blue, and red-orange.
Painting of four women with blue shawls walking near red fence.
The Large Plane Trees (Road Menders at Saint-Rémy), by Vincent van Gogh, 1889
Nursemaids’ Promenade, Frieze of Carriages, by Pierre Bonnard, 1895
A work made of graphite on ivory wove paper.

The works in this room are listed below.

Works in this room

Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.

Section 1, north wall

  1. A work made of oil on panel.
    Final Study for "Bathers at Asnières"Georges Seurat, 1883Courtesy of the Art Institute of Chicago
  2. A work made of oil on vellum.
    At the Circus: The Bareback Rider (Au Cirque: Écuyère)Henri de Toulouse-Lautrec, 1888Courtesy of the Art Institute of Chicago
  3. Painting of a red-haired, bearded man with light skin, painted in short brushstrokes and multicolored dots. The background is likewise a mass of small, closely spaced colored dots, these in green, blue, and red-orange.
    Self-PortraitVincent van Gogh, 1887Courtesy of the Art Institute of Chicago
  4. Painting of four women with blue shawls walking near red fence.
    Arlésiennes (Mistral)Paul Gauguin, 1888Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. The Large Plane Trees (Road Menders at Saint-Rémy), by Vincent van Gogh, 1889
    The Large Plane Trees (Road Menders at Saint-Rémy)Vincent van Gogh, 1889Courtesy of the Cleveland Museum of Art
  2. Nursemaids’ Promenade, Frieze of Carriages, by Pierre Bonnard, 1895
    Nursemaids’ Promenade, Frieze of CarriagesPierre Bonnard, 1895Courtesy of the Cleveland Museum of Art
  3. A work made of graphite on ivory wove paper.
    Hercules RestingPaul Cézanne, 1897Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. The Large Tree, by Paul Gauguin, 1891
    The Large TreePaul Gauguin, 1891Courtesy of the Cleveland Museum of Art
  2. Orpheus, by Odilon Redon, c. 1903–10
    OrpheusOdilon Redon, c. 1903–10Courtesy of the Cleveland Museum of Art
  3. View of a village surrounded by hills, fields, and trees, shown from a vantage point above the scene. Subtly rolling hills recede into a bluish gray-ish sky punctuated by white clouds. Thick brushstrokes built up atop each other are visible throughout.
    Auvers, Panoramic ViewPaul Cézanne, 1873–75Courtesy of the Art Institute of Chicago
  4. Brünnhilde in Twilight of the Gods, by Odilon Redon, 1894
    Brünnhilde in Twilight of the GodsOdilon Redon, 1894Courtesy of the Cleveland Museum of Art

Section 2, north wall

  1. A work made of oil on linen canvas.
    Woman in Front of a Still Life by CezannePaul Gauguin, 1890Courtesy of the Art Institute of Chicago
  2. Symbolic Head, by Odilon Redon, c. 1890
    Symbolic HeadOdilon Redon, c. 1890Courtesy of the Cleveland Museum of Art
  3. Two Poplars in the Alpilles near Saint-Rémy, by Vincent van Gogh, 1889
    Two Poplars in the Alpilles near Saint-RémyVincent van Gogh, 1889Courtesy of the Cleveland Museum of Art

Section 3, north wall

  1. Road in Etten, by Vincent van Gogh, 1881
    Road in EttenVincent van Gogh, 1881Courtesy of The Metropolitan Museum of Art
  2. Corridor in the Asylum, by Vincent van Gogh, September 1889
    Corridor in the AsylumVincent van Gogh, September 1889Courtesy of The Metropolitan Museum of Art