Post-Impressionism








Works in this room
Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.
Section 1, north wall

Flower CloudsOdilon Redon, c. 1903Courtesy of the Art Institute of Chicago 
At the Circus: The Bareback Rider (Au Cirque: Écuyère)Henri de Toulouse-Lautrec, 1888Courtesy of the Art Institute of Chicago 
Road in EttenVincent van Gogh, 1881Courtesy of The Metropolitan Museum of Art 
Madame Cezanne in a Yellow ChairPaul Cézanne, 1888–90Courtesy of the Art Institute of Chicago
Section 1, south wall

Bather With Outstretched Arms (recto); Study of a Tree (verso)Paul Cézanne, 1874/77Courtesy of the Art Institute of Chicago 
Oil Sketch for "A Sunday on La Grande Jatte — 1884"Georges Seurat, 1884Courtesy of the Art Institute of Chicago 
BathersPaul Cézanne, 1890–1900Courtesy of the Art Institute of Chicago 
OrpheusOdilon Redon, c. 1903–10Courtesy of the Cleveland Museum of Art
Section 2, south wall

The Englishman (William Tom Warrener, 1861–1934) at the Moulin RougeHenri de Toulouse-Lautrec, 1892Courtesy of The Metropolitan Museum of Art 
Arlésiennes (Mistral)Paul Gauguin, 1888Courtesy of the Art Institute of Chicago 
Equestrienne (At the Cirque Fernando)Henri de Toulouse-Lautrec, 1887–88Courtesy of the Art Institute of Chicago
Section 2, north wall

Self-PortraitVincent van Gogh, 1887Courtesy of the Art Institute of Chicago 
Ia Orana Maria (Hail Mary)Paul Gauguin, 1891Courtesy of The Metropolitan Museum of Art 
Trees (study for La Grande Jatte)Georges Seurat, 1884Courtesy of the Art Institute of Chicago
Section 3, north wall

Two Poplars in the Alpilles near Saint-RémyVincent van Gogh, 1889Courtesy of the Cleveland Museum of Art 
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red DressPaul Cézanne, 1888–90Courtesy of The Metropolitan Museum of Art