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The Floating World

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

172 works · hang 2158 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. A work made of color woodblock print; surimono.
    PeoniesKitagawa Utamaro, n.d.Courtesy of the Art Institute of Chicago
  2. The Shika Teahouse, by Utagawa Toyokuni, early 1790s
    The Shika TeahouseUtagawa Toyokuni, early 1790sCourtesy of the Cleveland Museum of Art
  3. A work made of color woodblock print with metallic pigments; surimono shikishiban.
    Woman About to Write a PoemYashima Gakutei, c. 1824Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. “Hour of the Rat: Mistress,” from the series Women’s Daily Customs (Fuzoku bijin tokei), by Kitagawa Utamaro, 1790
    “Hour of the Rat: Mistress,” from the series Women’s Daily Customs (Fuzoku bijin tokei)Kitagawa Utamaro, 1790Courtesy of The Metropolitan Museum of Art
  2. A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
    A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art
  3. Three Kabuki Actors Playing Hanetsuki, by Utagawa Kuniyasu, ca. 1823
    Three Kabuki Actors Playing HanetsukiUtagawa Kuniyasu, ca. 1823Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. Kinryūsan Temple at Asakusa, from the series "One Hundred Famous Views of Edo", by Utagawa Hiroshige, 1856
    Kinryūsan Temple at Asakusa, from the series "One Hundred Famous Views of Edo"Utagawa Hiroshige, 1856Courtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; uchiwa-e.
    Iwai Kumesaburo II as the Courtesan Takao in Banzei Okuni KabukiUtagawa Kunisada, c. 1827Courtesy of the Art Institute of Chicago
  3. Kabuki Actors Asao Yūjirō as Sano Genzaemon and Ichikawa Ebijūrō I as Miura Arajirō, in the play Keisei Sano no Funabashi, by Shunkōsai Hokushū, 1822
    Kabuki Actors Asao Yūjirō as Sano Genzaemon and Ichikawa Ebijūrō I as Miura Arajirō, in the play Keisei Sano no FunabashiShunkōsai Hokushū, 1822Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. A work made of color woodblock print.
    Women and Children Viewing the FireworksKatsushika Hokusai, c. 1798Courtesy of the Art Institute of Chicago
  2. A work made of hand-colored woodblock print; tan-e, vertical o-oban.
    Courtesan WalkingKaigetsudo Anchi, c. 1714Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. A work made of color woodblock print; surimono.
    Three Types of ChrysanthemumsKitao Shigemasa, c. 1790Courtesy of the Art Institute of Chicago
  2. A work made of color woodblock print; shikishiban surimono.
    Dawn over Mout Fuji and Susaki, from the series "Five Views of Mount Fuji (Fuji goban no uchi)"Utagawa Kuniyoshi, c. 1827/29Courtesy of the Art Institute of Chicago
  3. A work made of color woodblock print; oban.
    One Person, Six Expressions (Hitori rokumenso)Kobayashi Kiyochika, 1884Courtesy of the Art Institute of Chicago

Section 3, south wall

  1. The Actor Segawa Tomisaburo II as the Otomos' Maid Wakakusa, Actually Prince Korehito, by Tōshūsai Sharaku, 1794–75
    The Actor Segawa Tomisaburo II as the Otomos' Maid Wakakusa, Actually Prince KorehitoTōshūsai Sharaku, 1794–75Courtesy of The Metropolitan Museum of Art
  2. Hara: Mount Fuji in the Morning (Hara, Asa no Fuji), from the series Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi), also known as the First Tōkaidō or Great Tōkaidō, by Utagawa Hiroshige, ca. 1833–34
    Hara: Mount Fuji in the Morning (Hara, Asa no Fuji), from the series Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi), also known as the First Tōkaidō or Great TōkaidōUtagawa Hiroshige, ca. 1833–34Courtesy of The Metropolitan Museum of Art